Fretquest

中文

One fretboard, six strings, fifteen frets. Every dot belongs to a published lesson: filled dots are roots, open dots are the other degrees of the scale. Read the five bands I–V downward and you walk from the nut to the fifteenth fret.

Bands I–V · frets 1–15Point at a band, or tab to one and use the arrow keys, to move the entry list on the right.

Every published entry

The full index, ordered by band. Entries whose publication date has not arrived are absent from this list and from the sitemap.

TitleTypeBandWindowDifficultyPublished
A minor pentatonic in position I: the open-string shapeA 小调五声 · 第 I 把位（1–3 品）的空弦形状Scale mapI1–3first week2026-08-15
How to read tab: string order, fret numbers and stems怎么读六线谱：弦序、品数与符干TechniqueI1–3first week2026-08-18
Chromatic warm-up inside frets 1–31–3 品内的半音阶热身Position studyI1–3first week2026-08-21
C major across frets 4–6: the second-position shapeC 大调在 4–6 品：第 II 把位形状Scale mapII4–6building2026-08-24
Alternate picking: down-up on every eighth note交替拨弦：每个八分音符都下上下上TechniqueI1–3building2026-08-27
G major pentatonic in third positionG 大调五声 · 第 III 把位Scale mapIII7–9building2026-08-30
Shifting between first and second position without a gap在第 I 与第 II 把位之间无痕换把Position studyI1–6building2026-09-02
E natural minor across frets 10–12E 自然小调在 10–12 品Scale mapIV10–12intermediate2026-09-05
Reading eighth and sixteenth note groups in tab读懂六线谱里的八分与十六分音符组TechniqueI1–3building2026-09-08
Drop D low-string riff with palm mutingDrop D 低音弦闷音连复段Tab pieceII5–8building2026-09-11
Hammer-ons and pull-offs: the legato drill that exposes both hands击弦与勾弦：同时暴露两只手的连奏练习TechniqueI1–3intermediate2026-09-14
A minor pentatonic in fifth position, above the double markerA 小调五声 · 第 V 把位（双点品记之上）Scale mapV13–15intermediate2026-09-17
Open G slide phrases between frets 7 and 9Open G 调弦下 7 至 9 品的滑音短句Tab pieceIII7–9building2026-09-20
Economy picking: three notes per string and the sweep between them经济拨弦：每弦三音与跨弦的顺势扫过TechniqueII4–6intermediate2026-09-22
D Dorian across frets 4–6: the mode with a natural sixthD 多利亚在 4–6 品：带自然六度的调式Scale mapII4–6advanced2026-09-24
Palm muting: the eighth-note pulse that keeps a riff tight掌根闷音：让连复段保持紧凑的八分音符脉冲TechniqueI1–3first week2026-09-26
A blues scale in third position: where the flat fifth livesA 布鲁斯音阶 · 第 III 把位：降五度住在哪里Scale mapIII7–9building2026-09-28
Hybrid picking: holding a bass line under a melody混合拨弦：在旋律之下保持一条低音线TechniqueII4–6advanced2026-09-30
G major across frets 7–9: a full position, both octavesG 大调在 7–9 品：一个完整的把位、两个八度Scale mapIII7–9intermediate2026-10-02
String skipping: single-note arpeggio patterns across frets 10–12弦跳：10–12 品上的单音分解音型TechniqueIV10–12upper register2026-10-04
C major pentatonic in fourth positionC 大调五声 · 第 IV 把位Scale mapIV10–12building2026-10-06
Slide technique on a single string单弦上的滑音技术TechniqueII4–6building2026-10-08
Pull-off triplets above the twelfth fret第 12 品以上的勾弦三连音TechniqueV13–15intermediate2026-10-10
F major in second position on the low stringsF 大调在第 II 把位的低音弦上Scale mapII4–6intermediate2026-10-12
Open G study: the low strings fourteen frets upOpen G 研究：把低音弦弹到第十四品Tab pieceV13–15intermediate2026-10-14
Reading ties, held notes and repeated bars读懂延音线、保持音与反复记号TechniqueIII7–9building2026-10-16
B minor pentatonic in fourth positionB 小调五声 · 第 IV 把位Scale mapIV10–12intermediate2026-10-18